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Top Rap Songs: this week's hip-hop chart, told as a story

Every song on this page plays a free 30-second preview, right in your browser. No sign-up, no app — press play and hear the sound that runs the culture.

The Bronx block party that ate the world

Hip-hop started as a neighborhood technology: two turntables, a microphone, and a DJ in the Bronx figuring out how to keep a party moving by looping the best seconds of other people's records. Fifty years later it is the most influential music on Earth — its drums underneath pop, its slang inside every advertisement, its cadence in the mouths of singers who would never call themselves rappers. The rap chart is where you hear that influence while it's still raw: regional sounds fighting for the crown, stars defending it, and kids from nowhere taking it.

This week's chart is the whole family tree on one page. BigXthaPlug — a Texas rapper who treats country music like a cousin — holds No. 1 with a song featuring Ella Langley, while Doechii and Drake trade places near the top and Kendrick Lamar's “luther” refuses to leave. And then, deeper in the list, the ancestors check in: DJ Jazzy Jeff & The Fresh Prince and OutKast, still charting beside the generation they raised. Hip-hop is old enough now to have classics, and young enough to keep replacing them.

Top 10 this week

The head of the hip-hop chart, at a glance. The full hundred, playable top to bottom, is just below — and it refreshes itself from the live chart every time this page loads.

  1. Hell At Night (feat. Ella Langley) — BigXthaPlug
  2. Dai Dai — Shakira
  3. Anxiety — Doechii
  4. Janice STFU — Drake
  5. Agora Hills — Doja Cat
  6. luther — Kendrick Lamar
  7. Circles — Post Malone
  8. Lovin On Me — Jack Harlow
  9. A Nightmare On My Street — DJ Jazzy Jeff & The Fresh Prince
  10. Hey Ya! — OutKast

The full Hip-Hop chart

Why rap charts move faster than any other

Rap runs on verses, and verses can answer each other in days. A diss, a remix, a leaked snippet, a dance — hip-hop's news cycle is measured in hours, and its chart churns like it. That speed is the genre's gift to all of pop: the surprise drop, the feature verse as an event, the album as a conversation. When a rap song climbs this chart overnight, it's usually because the culture moved first and the numbers are just catching up.

Press Play All and listen for the regional accents as they pass — Houston's drawl, Atlanta's bounce, the West Coast's lean, New York's bark. A rap chart isn't one sound; it's a federation of them, arguing in public about what the music should be next. The argument is the best part. It's been running for fifty years and it has never once been boring.

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